参考资料

Charlton, David (1986). Grétry and the Growth of Opéra-Comique. Cambridge: Cambridge University Press. ISBN 978-0-521-25129-7.

Cook, Elisabeth (1992). "Monnet [Monet], Jean" in Sadie 1992, vol. 3, p. 436.

Fauser, Annegret; Everist, Mark, editors (2009). Music, Theater, and Cultural Transfer: Paris, 1830–1914. Chicago: The University of Chicago Press. ISBN 978-0-226-23926-2.

Gourret, Jean (1985). Histoire des salles de l"Opéra de Paris, p. 83. Paris: Guy Trédaniel. ISBN 978-2-85707-180-8.

Harris-Warrick, Rebecca; Charlton, David; Johnson, Janet; Langham Smith, Richard; Pitt, Charles (1992). "Paris" in Sadie 1992, vol. 3, pp. 855–879.

Johnson, Victoria (2008). Backstage at the Revolution: How the Royal Paris Opera Survived the End of the Old Regime. Chicago: University of Chicago Press. ISBN 978-0-226-40195-9.

Levin, Alicia (2009). "Appendix: A Documentary Overview of Musical Theaters in Paris, 1830–1900" in Fauser and Everist 2009, pp. 379–402.

Pitou, Spire (1983). The Paris Opéra: an encyclopedia of operas, ballets, composers, and performers (3 volumes). Westport, Connecticut: Greenwood Press. ISBN 978-0-686-46036-7.

Sadie, Stanley, ed. (1992). The new Grove dictionary of opera (4 volumes). London: Macmillan. ISBN 978-1-56159-228-9.

Simeone, Nigel (2000). Paris – A Musical Gazetteer. New Haven: Yale University Press. ISBN 978-0-300-08053-7.

Warrack, John; West, Ewan (1992). The Oxford Dictionary of Opera. Oxford: Oxford University Press. ISBN 978-0-19-869164-8.

Warrack, John; West, Ewan (1996). The Concise Oxford Dictionary of Opera. Oxford: Oxford University Press. ISBN 978-0-19-280028-2.

Wild, Nicole (1992). "Guyenet, Pierre" in Sadie 1992, vol. 2, p. 586.

Wild, Nicole; Charlton, David (2005). Théâtre de l"Opéra-Comique Paris: répertoire 1762-1972. Sprimont, Belgium: Editions Mardaga. ISBN 978-2-87009-898-1.

Wolff, Stéphane (1953). Un demi-siècle d"Opéra-Comique (1900-1950). Paris: André Bonne.OCLC44733987

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